Friday, January 8, 2016

French portraits, 17th-19th centuries

Odilon Redon
Baronne de Domecy
ca. 1900
pastel and graphite
Getty

Charles Antoine Coypel
Double portrait
1743
pastel
Metropolitan Museum of Art

Very broadly speaking, traditional Italian picture-making took less interest than French picture-making in expressing the flavor of individual personality. French  portraiture was comparatively idiosyncratic, concerned to establish the distinctiveness of the sitter and ready to sacrifice the power of generalization, without which the Italians could not work at all.

Louis Carmontelle
Woman seated by the fire
18th century
drawing
Morgan Library

Louis Carmontelle
Mme de Vermenoux
1770s
drawing
British Museum

Louis Carmontelle
Mme la Marquise de la Croix
ca. 1770
drawing
British Museum

Louis Léopold Boilly
Artist's wife in the studio
ca. 1795-99
Clark Art Institute

Jean Baptiste Camille Corot
Young woman reading
1869-70
Metropolitan Museum of Art

Jean Baptiste Camille Corot
Reverie
ca. 1860-65
Metropolitan Museum of Art
gift of Louisine Havemeyer

Jean Baptiste Camille Corot
 Portrait of a child
ca. 1835
Metropolitan Museum of Art
gift of Louisine Havemeyer

Nicolas de Largillière
Portrait of a woman
1696
Metropolitan Museum of Art

Jean-Marc Nattier
Portrait of a woman
1753
Metropolitan Museum of Art

Jean-Marc Nattier
Mme Marsollier & her daughter
1749
Metropolitan Museum of Art

Hyacinthe Rigaud
Louis XIV
ca. 1701
Prado

Pierre Gobert
Louis XV (at age four, one year before his accession to the throne)
1714
Prado

Antoine François Callet
Louis XVI
1778-79
Prado