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| William Strang The Prodigal Son 1882 etching British Museum |
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| William Strang The Dissecting Room 1884 etching, engraving British Museum |
A brief chronological cross-section of the work of William Strang as print-maker. The span covered here is about thirty years, from the early 1880s to the eve of World War I.
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| William Strang Parthenon Horse (Elgin Marbles) 1885 engraving British Museum |
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| William Strang Charles Holroyd , no. 1 1887 etching, engraving British Museum |
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| William Strang Dr. Joseph Joachim 1887 etching British Museum |
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| William Strang Sale of prints at Sotheby's 1889 drypoint British Museum |
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| William Strang Danse macabre 1891 etching British Museum |
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| William Strang The Monk and the Hangman's Daughter 1894 etching, engraving British Museum |
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| William Strang Peter Strang (artist's son, in chorister's robes) 1896-97 engraving, drypoint British Museum |
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| William Strang The Woodcutter 1900 drypoint British Museum |
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| William Strang The Fisherman 1908 drypoint British Museum |
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| William Strang Nymph and Shepherds, no. 2 1910 drypoint British Museum |
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| William Strang Duke of York's Monument, London 1912 drypoint British Museum |
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| William Strang Alphonse Legros 1913 etching British Museum |
Alphonse Legros, the subject of the final etching, was Strang's favorite and most influential teacher at the Slade. They later moved in the same London art circles and remained good friends.