Friday, May 18, 2018

Baroque Drawings & Prints

Giovanni Battista Gaulli
Sacrifice of Isaac
ca. 1685-90
drawing
National Galleries of Scotland

Cherubino Alberti
Two putti on plinth in front of balustrade, supporting coronets above Borghese eagle and griffin
before 1615
drawing
National Galleries of Scotland

Cherubino Alberti
Study of putti flying upwards (for ceiling decoration)
before 1615
drawing
National Galleries of Scotland

Giovanni Alberti
Two studies for architectural friezes
before 1601
drawing
Fitzwilliam Museum, Cambridge

Cherubino Alberti
Winged Genius in pendentive holding tablet
with dedication to Cardinal Francesco Barberini
while balancing on sphere with heraldic Barberini bees
before 1615
engraving
Metropolitan Museum of Art, New York

Jacob Gole after Cornelis Dusart
Symbolic image of Louis XIV as Scourge of Heretics
1691
engraving
Rijksmuseum, Amsterdam

Hendrick Hondius
Papist Pyramid (anti-Jesuit propaganda)
ca. 1597-1601
engraving
Rijksmuseum, Amsterdam

"Historians invoked the Jesuit Style several decades before they consistently invoked the Baroque as a period designation.  For a brief time, between the 1840s and the 1880s, the Jesuit Style provided a definition for what would later be named the Baroque, a fact that is an important and overlooked aspect of the historiography of this subject.  The Jesuit Style provided the first historical explanation for the Baroque as viewed from France and Germany (where Jesuit architecture was an imported style).  Although it emphasized the degeneration of the Renaissance, it was based less on particular forms than on the aims and character of the Jesuits.  The term would be dismissed when it was later interpreted as the style of architecture invented by the Jesuits rather than the style of architecture that embodies and represents the Jesuits.  But at the time of its inception, the Jesuit Style aptly described the architecture of a period largely thought to have been dominated by the order, just as the Age of the Cathedral was romanticized as the product of a collective national body.  . . .  By the early 1900s studies of Jesuit architecture outside of Italy by Louis Serbat and Joseph Braun provided material evidence that called the Jesuit Style seriously into question.  At the end of the 1920s and into the 1930s the term was either noted as incorrect or cycled out of encyclopedias altogether."

– Evonne Levy, from Propaganda and the Jesuit Baroque (University of California Press, 2004)

Anonymous Dutch printmaker
Drawing model - Ears, Eyes, Mouth
before 1650
engraving
Rijksmuseum, Amsterdam

Anonymous Dutch printmaker
Three Demon-Heads
before 1650
engraving
Rijksmuseum, Amsterdam

Anonymous printmaker
Allegory of Five-headed Monster
before 1618
engraving
Rijksmuseum, Amsterdam

Pietro Faccini
St Jerome adoring a Crucifix
ca. 1600
etching
National Galleries of Scotland

Roelant Savery
Gnarled Tree near Water
before 1639
etching
Rijksmuseum, Amsterdam

Gaspar Bouttats after Godfried Maes
Allegory with Cupids at the Mouth of Hell
before 1695
etching
Rijksmuseum, Amsterdam

workshop of Jacob de Gheyn II
Dancing Masqueraders
1595-96
engraving
Rijksmuseum, Amsterdam